That explains the tens of titles published since 1987. A bit like the original MUDs (multiple user dungeons) on the early days of the Internet, the D&D stamp sells among a vast, sometimes even bigger than expected, audience. In fact, since 1987 that Dungeons & Dragons licensed games have appeared on the market, some trying to translate the mechanics and logic of the tabletop game, others using the D&D acronym as a means to gather interest. The film Eye of the Beholder follows a tradition of transferring the original D&D to other media, mainly video games. Polansky, of which the first segment, with Kelley Slagle, is published now. That explains Eye of the Beholder: The Art of Dungeons and Dragons, the film, which is the reason for the interviews with Kelley Slagle and Seth C.

Polansky integrate is one of the first that has Dungeons & Dragons tabletop fantasy games as a youth and adult pastime, so it is only natural that, while those before them used as a theme to their films other subjects, this generation looks at D&D as an interesting theme to work with. The generation of filmmakers that Kelley Slagle and Seth C. Kelley Slagle talks to PVC about a passion turned documentary. Eye of the Beholder: The Art of Dungeons and Dragons, a documentary about the tabletop game of D&D, will be published in 2019.

Eye of the beholder 2 no clipping